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Context: poll by Kinopoisk (on their VK page, they’re the Russian IMDB - reposted on official Mockingjay VK page) about most anticipated film this November.

Liza: How come Interstellar has so many votes? Trailer didn’t do anything (loose translation)

Maxim: There are lots of Nolan-w***ers on the Kinopoisk (the Russian IMDB who posted the poll on their page) page

That’s low. Considering what your job is, my friend…

Context: poll by Kinopoisk (on their VK page, they’re the Russian IMDB - reposted on official Mockingjay VK page) about most anticipated film this November.

Liza: How come Interstellar has so many votes? Trailer didn’t do anything (loose translation)

Maxim: There are lots of Nolan-w***ers on the Kinopoisk (the Russian IMDB who posted the poll on their page) page

That’s low. Considering what your job is, my friend…

Now people have so many entertainment options, they need to educate themselves to figure out what they care most about. We want to make sure the information they need is easily available when they’re making their ticket purchases.
Rob Moore, Paramount Pictures Vice-Chairman on INTERSTELLAR's advanced screenings for film-based theatres and promoting 70mm

INTERSTELLAR TECHNICAL SPECIFICATIONS

INTERSTELLAR was shot using a combination of 35mm anamorphic film and 65mm 15 perf IMAX FILM. When presented on 70mm IMAX, the sequences shot on IMAX are printed full quality in their native format- the highest quality imaging format ever devised, offering almost ten times the resolution of standard formats, and filling the giant IMAX screens from top to bottom. The 35mm anamorphic sequences have been blown up to fill the IMAX screen side-to-side using a 6k digital DMR process, the highest resolution processing ever used in a feature film presentation. The finished picture switches between the 2.40:1 and 1.43:1 aspect ratios at key dramatic moments in the film. This is combined with a specially made IMAX uncompressed sound mix for the most immersive presentation of the film.

The digital IMAX presentation has been created from 6 and 8k scans of the original film elements, graded specifically for the high contrast IMAX dual-projection system. When presented on digital IMAX, the sequences shot on IMAX will fill the IMAX screens from top to bottom and switch from 2.40:1 to an aspect ratio of up to 1.9:1. It will also carry the uncompressed IMAX sound mix of the film.

When presented on regular 70mm film, the IMAX sequences have been optically reduced to 70mm 5 perf film to produce a grain-free, ultra-high resolution image, cropped top and bottom to fill the wide screen. The 35mm anamorphic sections have been blown up optically. Both processes are photochemical, preserving the original analog color of the imagery and combined in a 2.2:1 widescreen presentation. The sound is carried on a separate DTS disc to produce state-of-the-art 6-track digital sound.

The 35mm anamorphic prints have been made photochemically, preserving all the rich analog color and high resolution of the original 35mm anamorphic photography. This is combined with new 4k negatives produced from 8k scans of the IMAX original negatives, cropped top and bottom to create a seamless 2.40:1 scope image. The sound is coded on the prints in Dolby SRD for a 6-track digital playback experience in most theatres.

The digital presentation of INTERSTELLAR has been created from 4 and 8k scans of the photochemically- color graded film elements, fine-tuned in the digital realm to maximize the color and contrast attributes of digital projectors, and dust-busted to achieve the cleanest and most stable image presentation possible. The film was mastered in 4k for the highest digital resolution currently available.

The sound on INTERSTELLAR has been specially mixed to maximize the power of the low end frequencies in the main channels as well as in the sub woofer channel. This effect is present is in all available presentations of INTERSTELLAR, all of which have been designed to play back at the volume level designated by the industry at 7 on the Dolby cinema processor.

INTERSTELLAR Final Trailer

Brand new official site & Kip Thorne featurette here

Interstellar's trio of space vehicles”

Much relevant. Marty watches Mockingjay - Part 1.

A nondescript board meeting at Lionsgate

  • Exec 1: So Francis has made a fantastic blockbuster with a fantastic score from James Newton Howard which will be a hit across all the demos including these Nolan fans.
  • Fangirl advertising exec: But what about the sooounnddtrrracckk
  • Exec 1: Um...that's James Newton Howard's work. Besides none of these "soundtrack songs" would be in the film anyway.
  • Exec 3: I think she means something that will piss off all the more "serious" moviegoers. Something to tie back to the fact that HG is a YA franchise and we are first and foremost a YA and Horror studio
  • Exec 1: But that means we'll lose a lot of our non-fan audience - people like you aren't enough for us to do well!
  • Fangirl exec: But you'll gain more of us and we will be enough? *cheeky smile*
  • Exec 2: Oh and we can't get Coldplay because they're signed on to do that trailer for Ridley Scott
  • Exec 1: ahh screw it it's Part 1 anyway - get me Lorde on the phone
……wut?
[hype intensifies nonetheless]

……wut?

[hype intensifies nonetheless]

Brand new extended international Interstellar TV spot now in HQ

New Interstellar stills from Empire Magazine

Interstellar Empire feature Pt. 3 of 3

Interstellar Empire feature Pt. 2 of 3

Interstellar Empire feature Pt. 1 of 3